{"id":1417,"date":"2025-01-15T12:10:36","date_gmt":"2025-01-15T11:10:36","guid":{"rendered":"https:\/\/malenaalbarracin.com\/publicaciones\/"},"modified":"2025-03-14T12:40:18","modified_gmt":"2025-03-14T11:40:18","slug":"artistic-publications","status":"publish","type":"page","link":"https:\/\/malenaalbarracin.com\/en\/artistic-publications\/","title":{"rendered":"Publications"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;#f092ff&#8221; custom_padding=&#8221;24px|||||&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; width=&#8221;90%&#8221; max_width=&#8221;2560px&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; header_font=&#8221;Roboto|700|||||||&#8221; header_font_size=&#8221;40px&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h1><span style=\"text-decoration: underline;\">PUBLICATIONS<\/span><\/h1>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; width=&#8221;90%&#8221; max_width=&#8221;2560px&#8221; custom_padding=&#8221;13px|||||&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;Roboto||||||||&#8221; header_2_font=&#8221;|600|||||||&#8221; header_2_line_height=&#8221;1.3em&#8221; custom_margin=&#8221;||13px|||&#8221; header_2_font_size_tablet=&#8221;25px&#8221; header_2_font_size_phone=&#8221;24px&#8221; header_2_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2>Un perreito en la pared (p\u00e1g 467)<\/h2>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;Roboto||||||||&#8221; text_font_size_tablet=&#8221;20px&#8221; text_font_size_phone=&#8221;18px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Archivar danza(s), archivar tiempo(s)<br \/>Escrituras situadas y situaciones de escritura en movimiento.<br \/>Compiladoras Bel Eiff y Josefina Zuain<br \/>November 2023<\/p>\n<p>[\/et_pb_text][et_pb_button button_url=&#8221;https:\/\/cuadernosdedanza.com.ar\/index.php\/danzacontemporaneaencartelera\/702\/un-perreito-en-la-pared&#8221; url_new_window=&#8221;on&#8221; button_text=&#8221;Source&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_button=&#8221;on&#8221; button_text_size=&#8221;25px&#8221; button_text_color=&#8221;#000000&#8243; button_border_width=&#8221;1px&#8221; button_border_radius=&#8221;0px&#8221; button_font=&#8221;Roboto||||||||&#8221; button_icon=&#8221;&#x35;||divi||400&#8243; button_on_hover=&#8221;off&#8221; custom_margin=&#8221;||6px|||&#8221; button_text_size_tablet=&#8221;24px&#8221; button_text_size_phone=&#8221;23px&#8221; button_text_size_last_edited=&#8221;on|phone&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; width=&#8221;90%&#8221; max_width=&#8221;2560px&#8221; custom_padding=&#8221;13px|||||&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;Roboto||||||||&#8221; header_2_font=&#8221;|600|||||||&#8221; header_2_line_height=&#8221;1.3em&#8221; custom_margin=&#8221;||13px|||&#8221; header_2_font_size_tablet=&#8221;25px&#8221; header_2_font_size_phone=&#8221;24px&#8221; header_2_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2>ASMR y Tensegridad (2022)<\/h2>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;Roboto||||||||&#8221; text_font_size_tablet=&#8221;20px&#8221; text_font_size_phone=&#8221;18px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]Podcast for Doce Veinticuatro. A guided practice from the whisper, between acidity and relaxation. With her voice, Malena gets into the limit of the skin, on its edge, sharp tongue that trembles and makes tremble, straining the usual ways of listening and guiding somatic practices.<br \/>\nJuly 20, 2022 &#8211; Doce Veinticuatro.[\/et_pb_text][et_pb_button button_url=&#8221;https:\/\/open.spotify.com\/episode\/5N2ReCYITKRa97ni7ztHue&#8221; url_new_window=&#8221;on&#8221; button_text=&#8221;Source&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_button=&#8221;on&#8221; button_text_size=&#8221;25px&#8221; button_text_color=&#8221;#000000&#8243; button_border_width=&#8221;1px&#8221; button_border_radius=&#8221;0px&#8221; button_font=&#8221;Roboto||||||||&#8221; button_icon=&#8221;&#x35;||divi||400&#8243; button_on_hover=&#8221;off&#8221; custom_margin=&#8221;||6px|||&#8221; button_text_size_tablet=&#8221;24px&#8221; button_text_size_phone=&#8221;23px&#8221; button_text_size_last_edited=&#8221;on|phone&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; width=&#8221;90%&#8221; max_width=&#8221;2560px&#8221; custom_padding=&#8221;13px|||||&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;Roboto||||||||&#8221; header_2_font=&#8221;|600|||||||&#8221; header_2_line_height=&#8221;1.3em&#8221; custom_margin=&#8221;||13px|||&#8221; header_2_font_size_tablet=&#8221;25px&#8221; header_2_font_size_phone=&#8221;24px&#8221; header_2_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2>Sal\u00f3n Palacio Err\u00e1zuriz Alvear. A research laboratory coordinated by Josefina Zuain.<br \/>\n<\/h2>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;Roboto||||||||&#8221; text_font_size_tablet=&#8221;20px&#8221; text_font_size_phone=&#8221;18px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]January 2, 2022 &#8211; Segunda en Papel Editora. (page 143)<\/p>\n<p>&#8211; Mi reinado (page 143)<br \/>\n&#8211; De pie a cabeza  (page 211)<br \/>\n&#8211; Auto-gu\u00eda b\u00e1sica para una reverencia efectiva (page 309)<br \/>\n&#8211; Banquete anti gravitatorio (page 317)[\/et_pb_text][et_pb_button button_url=&#8221;https:\/\/www.instagram.com\/p\/CxYJK0NugK2\/?img_index=1&#8243; url_new_window=&#8221;on&#8221; button_text=&#8221;Source&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_button=&#8221;on&#8221; button_text_size=&#8221;25px&#8221; button_text_color=&#8221;#000000&#8243; button_border_width=&#8221;1px&#8221; button_border_radius=&#8221;0px&#8221; button_font=&#8221;Roboto||||||||&#8221; button_icon=&#8221;&#x35;||divi||400&#8243; button_on_hover=&#8221;off&#8221; custom_margin=&#8221;||6px|||&#8221; button_text_size_tablet=&#8221;24px&#8221; button_text_size_phone=&#8221;23px&#8221; button_text_size_last_edited=&#8221;on|phone&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>PUBLICATIONSUn perreito en la pared (p\u00e1g 467)Archivar danza(s), archivar tiempo(s)Escrituras situadas y situaciones de escritura en movimiento.Compiladoras Bel Eiff y Josefina ZuainNovember 2023ASMR y Tensegridad (2022)Podcast for Doce Veinticuatro. A guided practice from the whisper, between acidity and relaxation. With her voice, Malena gets into the limit of the skin, on its edge, sharp tongue [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-1417","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/malenaalbarracin.com\/en\/wp-json\/wp\/v2\/pages\/1417","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/malenaalbarracin.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/malenaalbarracin.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/malenaalbarracin.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/malenaalbarracin.com\/en\/wp-json\/wp\/v2\/comments?post=1417"}],"version-history":[{"count":7,"href":"https:\/\/malenaalbarracin.com\/en\/wp-json\/wp\/v2\/pages\/1417\/revisions"}],"predecessor-version":[{"id":1621,"href":"https:\/\/malenaalbarracin.com\/en\/wp-json\/wp\/v2\/pages\/1417\/revisions\/1621"}],"wp:attachment":[{"href":"https:\/\/malenaalbarracin.com\/en\/wp-json\/wp\/v2\/media?parent=1417"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}